Ahorangi, Tā Hirini Moko Mead
Ngāti Awa, Ngāi Tūhoe, Ngāti Tūwharetoa, Tūhourangi
Distinguished Professor, Sir (Tā) Hirini Moko-Mead is a prominent historian, teacher, artist, Māori writer and commentator, an author of over 70 books, papers and articles. He was Foundation Professor of Māori Studies at Victoria University of Wellington, responsible for the first university-based marae on a university campus – Te Herenga Waka Marae in Wellington. Mastermind behind the establishment of Te Whare Wānanga o Awanuiārangi in Whakatāne and chief negotiator of the Ngāti Awa Claim. Co-curator of the 1984 exhibition Te Māori and instrumental in the repatriation of tāonga Māori. A key figure in the revitalization of te reo Māori, traditional customs and rituals. A fiercely staunch advocate for mātauranga Māori, Māori arts and culture, Te Reo Māori and tikanga.
Tā Hirini was born in 1927 and descends from Ngāti Awa, Tūhoe, Ngāti Tūwharetoa and Tūhourangi. His early days were spent in Te Teko with his mother, he was raised by his village that resided along the Rangitāiki river and heavily influenced by his elders. Tā Hirini attended Te Teko Native School. Back then families cultivated their own food, fished and dived for seafood. Shops were too expensive for most, so they relied on self-sufficiency and community.
At the age of 9, Tā Hirini moved to Murupara with his uncle who needed help on his farm. It was his responsibility to milk the cows every morning before heading off to Rangitahi Native School. At the time, education was the main priority for children, as those with a good education gained college scholarships, which were vital to the future of Māori children.
Tā Hirini received a scholarship to attend St Stephens College in Auckland. However, during 1939 – 1945 the school was requisitioned as a hospital for the soldiers of WWII. Senior pupils were sent to Te Aute and Wesley Colleges to resume the rest of their schooling, Tā Hirini was amongst the students who moved to Te Aute College.
After receiving his school certificates, Tā Hirini returned to Auckland to study at Teachers College. His first placement as a teacher was in Ruatōrea at Manutahi Māori District School. During his placement Tā Hirini had the privilege of meeting Tā Apirana Ngata, who introduced him to Tā Peter Buck. It was also here that Tā Hirini met and married his wife June Walker, they were to both walk hand in hand with education being a major priority in their lives. After Tā Hirini completed his term at Ruatōrea he and Lady June moved to the Bay of Plenty to undertake his new placement at Ruatoki Native School.
Tā Hirini was the Māori arts teacher and covered several schools in neighboring areas of the region. Under the Native Schools Act 1867 Te Reo Māori was not to be spoken in schools, however, that did not stop Tā Hirini from teaching the children traditional language, methods, and concepts in Te Reo Māori. Tā Hirini eventually became the headmaster at several schools in the region, including Te Urewera, Whakatāne and Tauranga.
After completing his term at Ruatoki Tā Hirini and Lady June decided to travel the country, continuing to teach and nurture students along the way. They eventually moved to Auckland and completed their Bachelor of Arts and Master of Arts Degrees at the University of Auckland by 1965.
To further their education and knowledge base, Tā Hirini and Lady June moved abroad in pursuit of their Doctorate Degrees. They both attended Southern Illinois University, Tā Hirini was highly interested in the arts, especially whakairo or traditional carving, one of his passions that he was to later publish books on.
After completing their PhD degrees in Art in 1968, they returned to Auckland for a short while before heading abroad to Canada. They spent several years teaching at Universities around Canada in the 1970s. After years residing there, Tā Hirini was alerted to a job opening at Victoria University of Wellington. He did not hesitate to take up the vacant position and become the first Professor of Māori at Victoria University of Wellington in 1977.
Te Herenga Waka
In this position Tā Hirini restructured the Māori studies department at the University, aiming to develop an independent department. In 1981 he would establish the first stand-alone Māori Studies Department in the country. It was challenging to persuade the heads of the University to acknowledge the significance of mātauranga māori. However, Tā Hirini believed that māori knowledge deserved its own recognition, he also empathised with the then small numbers of Māori students that attended the university they too felt alienated in an institutionalised environment, he wanted to create a safe space for Māori students and proposed that the University build a marae for the Māori Studies Department.
When the proposal was accepted by the University, many gathered at Kelburn Parade to help with the establishment of the marae. These students played a significant role in completing the meeting house. They became connected to every carving, symbol, and story within Te Tumu Herenga Waka meeting house. On the 6th of December 1986 Te Herenga Waka Marae was officially opened.
Te Whare Wānanga o Awanuiārangi
After retiring from Victoria University, Tā Hirini and his whānau returned to Whakatāne to assist with tribal affairs. A major endeavor of his was to improve the education opportunities for his people and gathered leaders from across Ngāti Awa to discuss the educational state of the iwi. It was agreed by tribal leaders of Ngāti Awa that conventional tertiary institutes failed to provide the learning needs of Māori. However, in 1987, the tribal leaders decided that, under the guidance of Tā Hirini, a Whare Wānanga would be established.
Seen as a response to the trauma of raupatu (land confiscation), they intended to rebuild Māori cultural knowledge base, reconnect māori to their past through education and by doing so, paved the pathway toward a more certain future. On the 10th of February 1992 a dawn ritual was carried out to formally open Te Whare Wānanga o Awanuiārangi. However, it wasn’t until 1997 that the Government confirmed that the school had met the requirements of a Wānanga and so Te Whare Wānanga o Awanuiārangi became the third Wānanga in the country to be recognised under the Education Act 1989. An institute dedicated primarily to the teaching pedagogies and practice of education through a mātauranga Māori lens.
Te Māori Exhibition
In 1984 a contingent of people traveled to America with a rare collection of 174 sacred tāonga Māori to be exhibited at the Metropolitan Museum of the Arts in New York for the Te Māori Exhibition. The idea for a Māori exhibition was proposed by the museum, as a result, a management committee for the exhibition was formed by Kara Puketapu. He also drove the negotiations with the New York Museum, the New Zealand Government of the time and Air New Zealand who carried the tāonga free of charge as a contribution to the expedition. Tā Hirini was also on the managing committee and played a vital role in the exhibition’s planning and delivery, as co-curator. Tā Hirini was tasked with the responsibility of requesting tāonga from iwi and whānau for the exhibition. However, it was challenging to persuade whānau to lend their treasures and heirlooms, questions of safety and reassurance were at the forefront of every discussion, as many of these tāonga had not been seen by the light of day for decades. The managing committee knew that it was time for these tāonga to awaken, to show the world the glory of Māori history and culture. Lady June also played a pivotal role during the exhibition as an education advisor to all the American Museums where Te Māori exhibited.
The contingent who traveled with Te Māori was made up of tohunga, rangatira, kapa haka performers and descendants of the tāonga. They followed the touring exhibition and were involved in the opening and closing ceremonies, which were done traditionally, acting as kaitiaki of the tāonga on their journey abroad. Descendants of the tāonga in which were being exhibited were required to train as tour guides, allowing them to tell their stories. Who better to tell this history than the descendants who carry the whakapapa of them.
At a dawn pōhiri ceremony on September 10th, 1984, distinguished tohunga and elders made their way up the stairs of the Metropolitan Museum in New York. The karanga welcoming calls of kuia, the elderly women echoed in the street; Kaiwhaikōrero, the expert orators versed in traditional chant awoke the spirits of the ancestors to the occasion. Behind them a large delegation of supporters watched eagerly, taken by emotions of grief for the long journey these tāonga had endured for many generations and a spark of hope that they would reawaken the people to take hold of their identity.
Prior to Te Māori exhibition the arts culture was at a low point, however, through Te Māori, the interest was reawakened, and a renaissance was to begin. Te Māori would reinvigorate the people to take note of what they had, and the importance of retaining that knowledge before it was lost and forgotten. Te Māori reminded people of the power of cultural identity and to reconnect with their heritage, grasp it, cherish it, and let it continue to grow and develop. Te Māori exhibition also demonstrated to the world the continuing importance of the art heritage of a nation and of the culture and people who created it.
Te Māori toured America for 2 years, after opening in New York, they traveled to St Louis, Chicago, and San Francisco. Throughout the tour, approximately 70,000 people attended the exhibition. After the American tour, Te Māori and its kaitiaki returned to Aotearoa to be welcomed home by their descendants, before exhibiting locally in Wellington and Christchurch.
Te Māori Manaaki Tāonga Trust
What remains of Te Māori is a trust that continues the spirit of Te Māori exhibition by providing training opportunities for Māori. Te Māori Manaaki Tāonga Trust was established in 1991, with the purpose of providing the necessary skills and training required to care for and display tāonga māori. Whilst also promoting the training of curators, conservators and other roles which involve the care or display of tāonga Māori. The Trust was relaunched in 2015, with a new sense of purpose to meet the challenges of today.
Tā Hirini Moko Mead amongst other prominent Māori leaders Wiremu Cooper and Te Aue Davis were founding trustees for Te Māori Manaaki Tāonga Trust. He views the trust as the continuation of the legacy of Te Māori and continues to support and guide the current trustees in their new initiatives for the development of Māori art.
Toi Māori Aotearoa
In 1996, Tā Hirini Moko Mead was instrumental in the establishment of Toi Māori Aotearoa, a Charitable Trust which emerged from the need for a collective Māori artists forum to foster the development of Māori art and support the national Māori art form committees. He became an original kaitiaki or trustee for Toi Māori Aotearoa, alongside some of the most current prolific leaders of Māoridom, such as Emily Schuster QSM, OBE, Dame Georgina Kirby, Trevor Maxwell, Tā Timoti Karetu and Derek Fox. Together, the original trustees developed a strategic plan for the organisation with the following objectives:
- To ensure that Māori art in all its forms continues to flourish as one of the great art traditions of the world.
- To maintain, develop and promote Māori art as an essential element of Māori culture and the culture of Aotearoa.
- Assist in maintaining the integrity of Māori art and culture so that its distinctive features and wairua (spirit) are not sacrificed.
Toi Māori Aotearoa continues to uphold the legacy of Te Māori exhibition and delivers which Te Māori Manaaki Tāonga Trust successfully initiates for Māori people. This organisation and its development of Māori art and artists is testament of the opportunities that came about because of Te Māori.
Throughout Tā Hirini Moko Mead’s many endeavors, challenges, and many achievements, Lady June Mead was always a constant at his side, supporting and encouraging him till the very end. Tā Hirini has overcome many trials and tribulations, however, his dedication and devotion to Māori culture and the people always prevails. His skills and experiences have contributed to several trust boards and organisation’s throughout his career, and he has published many books, articles and papers that are still highly relevant and important in research, tertiary education, and schools today. Upon his many achievements, these are the most rewarding;
A scholar of rare expertise in Māori language, culture, and education, Tā Hirini Moko Mead was made a Distinguished Companion of the New Zealand Order of Merit in 2007 for his services to Māori and to education. In the 2009 Special Honors Tā Hirini accepted a redesignation as a Knight Companion of The New Zealand Order of Merit. In the 2022 Whakaata Māori Matariki Awards, Ngā Tohu o Matariki o Te Tau, he was awarded a Lifetime Achievement Award.
Tā Hirini Moko Mead is a staunch advocate of mātauranga Māori, Māori arts and culture, his dedication to Te Reo Māori and tikanga is unwavering. With his commanding presence he draws people from all walks of life. He currently resides in his hometown of Whakatāne in the vicinity of Te Whare Wānanga o Awanuiārangi, surrounded by whānau, hapū and his iwi.
Works Cited
Kōmako. (n.d.). Hirini/Sidney Moko Mead. Retrieved from Kōmako: A bibliography of writing by Māori in English: https://www.komako.org.nz/person/601
Mahi Tahi. (2023, December 19). Indigenous 100 – Sir Hirini Moko Mead – Episode 46. Retrieved from YouTube: https://www.youtube.com/watch?v=gHwDlLYLO5k
Mead, H. M. (2022, June 19). Understanding Mātauranga Māori. Retrieved from E-Tangata: https://e-tangata.co.nz/comment-and-analysis/understanding-matauranga-maori/
National Library. (n.d.). Mead, Sidney Hirini Moko Haerewa (Sir), 1927. Retrieved from National Library: https://natlib.govt.nz/records/22386572
New Zealand History. (n.d.). Te māori exhibition opens in New York. Retrieved from New Zealand History: Ngā kōrero ā ipurangi o Aotearoa: https://nzhistory.govt.nz/te-maori-exhibition-opens-in-new-york
NZ On Screen. (n.d.). Koha – Te Māori, a Cloak of Words. Retrieved 2024, from NZ On Screen: Iwi Whitiāhua: https://www.nzonscreen.com/title/koha-te-maori-a-cloak-of-words-1984
Te Whare Wānanga o Awanuiārangi. (n.d.). Story of Awanuiārangi. Retrieved from Te Whare Wānanga o Awanuiārangi: https://www.wananga.ac.nz/about/story-of-awanuiarangi/
Victoria University of Wellington. (2016). Te Whakatuwheratanga o Te Tumu herenga Waka: 6 Tihema 1986, poneke, te Whare Wānanga o Wikitoria. Retrieved 2024, from Te Whare Wānanga o Te Upoko o Te ika a Māui: Victoria University of Wellington: https://nzetc.victoria.ac.nz/tm/scholarly/tei-VUWMarae1986.html