This exhibition features recent work by Garry Nicholas and Stephen Thorpe, two artists from Te Awakairangi ki Uta | Upper Hutt in the greater Wellington region.
Although they work in different mediums, this exhibition highlights their combined knowledge of toi Māori and practice of tuhituhi, which can be defined as drawing but also refers to the foundations of Māori visual languages. Garry draws on wood with a chisel, while Stephen draws on paper or works ink under skin as a recognised ringa tā (moko practitioner). Both like to paint.
Their work also concerns portraiture in the Māori tradition. Garry observes the ancestral formats of pou, poupou, tekoteko, and kōruru, as documented in carved and painted wharenui. Yet he depicts a contemporary cast of characters endemic to the Wellington region, from the seven Māori electorate MPs in Parliament to bureaucrats and angry faces in online meetings. Stephen’s work, however, imagines the body through drawings envisioned through tā moko or kōwhaiwhai on the heke (ribs) of the whare tupuna, presided over by the ātua of Te Awakairangi ki Uta, pekapeka, morepork, kiwi and kākā, rejuvenated through region-wide conservation efforts.
Together, Ngā Pou e Rua is an exhibition full of faces carrying the energy of a lively hui or council chamber, and an apt reflection of Upper Hutt City Council’s proudly independent position in the recent local government amalgamation proposals.
Kāhui maunga, Te Ati Awa nui tonu, Ngāti Ruanui, Tangahoe, Tauranga Moana, Ngāti Hauā
Garry Nicholas is a self-taught wood sculptor whose work is deeply influenced by the whare rūnanga (meeting house) Te Ikaroa-a-Māui at Owae Marae in Waitara.
As a young man, he was captivated by the poupou (carved ancestral wall panels) depicting figures such as Wiremu Kīngi Te Rangitāke, Te Hapimana Tauke and Tītokowaru. These carvings, together with the sweeping kōwhaiwhai (painted rafter patterns), heke (rafters) and tāhūhū (ridge beam), continue to inspire his sculpture today. Their forms, symbolism and sense of ancestral presence remain central to his artistic practice.
Garry also served as General Manager of Toi Māori Aotearoa from 1998 – 2020, and his work in ‘Ngā Pou e Rua’ reflects his exposure to leading Māori artists and his extensive experience as an executive leader in Wellington.
Rakaipaaka, Kahungunu, Rongomaiwahine
Stephen Thorpe trained as a painter, graphic designer, ringatā (moko practitioner) and kirituhi (skin art incorporating Māori design) artist. Rather than existing as separate disciplines, these practices inform and strengthen one another, giving Stephen’s work both depth and versatility.
A graduate of Toihoukura at the Eastern Institute of Technology Tairāwhiti in Gisborne, Stephen spent four years studying both traditional and contemporary Māori art. A practising ringatoi for more than eleven years and a ringatā for over eight years, he continues to develop his practice through painting and drawings, with his moko characterised by intricate linear design framing vividly coloured three-dimensional forms.
Stephen currently works from Lucky’s Tattoo Museum NZ and Saturnia Tattoos in Upper Hutt.













